Subiect: This paper makes a rigorous analyze of postwar graphics from laşi and of the insight ways in psycho-socio-imagistic field of Moldavian fine arts that, at the beginning of sixth decade acknowledged just one forerunner. Very much as the art of oil found in Baba a forerunner, the graphics after Second World War was obliged to Tonitza, that 'flirted" alike to German 's art (Rudolf Wilke, that liberates him from the academicism that made havoc in Romanian art in the beginning of XX-th century), approaching to this one through: Claude Monet, Toulouse-Lautrec, Georges Seurat.
The turn of Tonitza's art is conditioned by the increasing of socialist movement in the country and in whole world, he became militant and artist in this juncture.
Whole graphics crosses this period and the artists were required to introduce industrial landscape or the figure of worker in the center of their work.
